Design Reviewed

One of the world’s preeminent design archives, with over 10,000 rare and forgotten items, has been deeply mined to present a unique and enduring publication. Your support will help to build this important historical and educational resource.  

972backers £86,850.73of £50,000 pledged
174% funded

Overview

With over 10,000 printed artefacts the Design Reviewed website gives designers, researchers and creatives access to design history via magazines, posters and printed objects of all kinds. Created and maintained by designer Matt Lamont, the archive exists to document, preserve and celebrate graphic design by ensuring that designers are credited and their work is accessible to future generations.

In addition to the online archive, every item has a physical presence in Matt’s studio in Bradford, West Yorkshire. The collection is actively used to inspire students and professionals and spark conversations around the importance of preserving design heritage. Matt has hosted visitors from local and international educational institutions and undertaken frequent presentations in design schools and studios, while gaining a reputation as someone dedicated to collecting and preserving the often rare and sometimes forgotten artefacts of graphic design.

Now, Matt wants to bring the best of his collection into print. “After years of collecting, scanning, cataloguing, researching and stacking boxes in every available corner of the studio, the dream of a book is finally becoming a reality,” he says. “What started as an obsession with printed matter has grown into an archive of magazines, posters, ephemera, experiments, movements, forgotten names, iconic names, a century of graphic design history in physical form.”

Most graphic design archives are attached to and funded by universities and other institutions. Apart from a group of supporters who have signed up to the archive’s membership scheme, Matt is on his own. It’s a heroic solo effort and now there’s a chance to help him grow this important collection and ensure it can continue to inspire people long in the future. “I hope the book can be a celebration of visual reference, a study tool and a way of bringing the archive out of the boxes and shelves and into your hands,” he says. “Something you can return to again and again for inspiration and context.”

Specification

279 × 234 mm
400 pages
Hardback

Foil typography details
Printing in 4 colours
Multiple paper stocks

Collector’s Edition
Neck and shoulder presentation box
Book case features cut short front board
Foil typography details

How it works

If our funding goal is met before GMT this project will commence development. All pledges will be immediately refunded in full if the funding goal is not met.

Estimated delivery

Summer 2027

Shipping

Tracked worldwide

The Book

Spanning a century of graphic design history, the Design Reviewed book includes everything from rare graphic and architecturally focused periodicals – such as Typografia, Architectural Design and Typographische Monatsblatter – to posters, stamps and print ephemera from around the world.
The book is organised into sections that provide a selective glimpse into graphic design history, from Art Nouveau and Early Modernism, to Pop and Post Modernism. Drawn from the vast Design Reviewed archive, the selection is chosen not for personal preference but for its ability to illustrate wider historical developments, ideas and approaches within graphic design.

A passionate designer and collector of historical graphic design materials, Matt has amassed an enviable archive a gift to all who seek inspiration. The book promises to be a peek at the wonderment of his vast holdings.

Elizabeth Resnick, designer, design educator, curator, author
Publisher

Unit Editions

Profile

Founded in 2009, Unit Editions produces high-quality, meticulously designed books, focusing on niche and often overlooked subjects within graphic design, typography and visual culture.

Collector’s Edition

The Collector’s Edition of Design Reviewed is housed within an elegant ‘shoulder neck’ box bound in a charcoal black uncoated stock with a matt white foil. 
The edition includes an A–Z postcard set of 26 cards, each featuring a letter from the archive on the front and information about the designer and source on the reverse, and an exclusive A2 poster (folded, two colours). 
The limited edition itself has a cut down front board, revealing the book's contents page, and is covered in a warm grey uncoated stock with a matt black foil.

Matt is among a growing new breed of graphic design archivists who, for the past ten years, has swooped up a huge amount of materials of various distinctions and pedigrees. His archeological digs have uncovered rare treasures.

Steven Heller, art director, critic, author, editor and co-founder and co-chair emeritus, SVA MFA Design

26 Postcards

A set of 26 postcards featuring lettering and type found in the Design Reviewed archive. Each designer and source is listed on the reverse. Design by Matt Lamont. 

Matt’s archive is truly extraordinary, an invaluable body of typographic history held within our own community. To see, study and experience these materials first-hand is a rare and powerful opportunity for designers and students alike

Rejane Dal Bello, creative director/founder, Studio Rejane Dal Bello

Folded Poster

An exclusive 510 × 430 mm folded poster comprising letterforms selected from the Design Reviewed archive. Printed 4/4 on uncoated paper stock in two colours and designed by Matt Lamont.
Meet the author

Matt Lamont is a designer, collector, educator and public speaker based in Bradford, West Yorkshire in the UK. He has spent over a decade amassing a collection of printed materials. Design Reviewed, he says, is his personal endeavour dedicated to digitally preserving the rich tapestry of graphic design history and documenting the expansive visual culture of the last century. With a personal archive boasting more than 10,000 design artefacts, he uses this treasure trove for educational workshops, as a wellspring of inspiration, and as a means to deepen his own understanding of design. He also works with various universities as a visiting lecturer teaching the history of graphic design and how we can use the past to inspire the creation of new work. Matt also co-runs the design studio Out of Place.