Master image-maker Nadav Kander has made some of the most important contributions to modern photography. Over the past three decades, he has turned his lens on everyone from Barack Obama to Tracy Emin, and landscapes from Chernobyl to the Thames Estuary to the Yangtze River, with an eye for the psychologically complex. From a photographer who seldom chooses to look back, this publication offers a rare chance to view highlights from across Kander’s vast and varied portfolio, edited and with an introduction by renowned curator, David Campany, and an essay by critic Lou Stoppard.
Kander’s first professional work as a photographer was during his obligatory military service in the South African Air Force, where he spent long periods in darkrooms mastering the techniques of his photographic idols: Strand, Stieglitz, Weston and Atget. Kander's tireless commitment to stylistic and technical experimentation, combined with a deeply held appreciation for the frailty of the human condition, has created photographs both compelling and uncanny, epic and intimate.
The publication coincides with an internationally touring retrospective of Kander’s work opening at Foam Photography Museum in Amsterdam, which includes highlights from across his career.
Specification
245 × 305mm192 pages
Hardcover
Cloth-bound
Foil blocked typography
Presentation Case
Solander construction
Cloth-bound
Foiled blocked typography
Lined with deep blue paper stock
Pull ribbon
Print Portfolio
Cloth-bound boards
Ribbon corners
The Print
279 × 350 mm
Archival pigment print
Hahnemuhle natural white cotton rag 285 gsm